



My restoration project of a 1972 Glastron GT150 speedboat. It's the EXACT Year, Make, Model, and Color of the boat used in the '73 James Bond movie Live and Let Die starring Roger Moore. It set a World Record for boat jumps when it sailed 110 ft over a highway and landed on the other side. Many of these boats are out there in need of repair and I hope this helps brings back more of these classics to the waterways. There is much info here about the movie, the boat and my project.
Glastron literature identifies the Live and Let
Die boat as a GT150 with a Evinrude Starflite 135hp engine.The year was 1973.
Interesting to note is that the '73 catalog lists the max hp of the GT150 at 90hp. The
GT150 is best distinguished from the CV-16 and GT160 by the transoms. The CV-16& GT150 have a spoiler type transom while the GT150 has the opposite slant at the top of the transom. In the famous picture with the cop pointing the gun, you can see the only modifications to the hull: two small black
rails that kept the boat level side to side on the ramp. The only other main modification was the central mounting of the steering wheel and a single centrally mounted seat for balance. The jump was performed over 100 times to get everything right before the actual take. Glastron built and sold 26 boats to the film company for the film. Other facts reported from a the Ian Fleming Foundation, owners of the actual jump boat GT-150:
Is the eighth spy film in the James Bond series, and the first to star Roger Moore as the fictional MI6 agent James Bond. The film was produced by Albert R. Broccoli and Harry Saltzman. Although the producers wanted Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, he declined, sparking a search for a new actor to play James Bond. Roger Moore was selected for the lead role.
The film is adapted from the novel of the same name by Ian Fleming. In the film, a drug lord known as Mr. Big plans to distribute two tons of heroin free so as to put rival drug barons out of business. Bond is investigating the death of three British agents which leads him to Big and is soon trapped in a world of gangsters and voodoo as he fights to put a stop to Mr. Big's scheme.
Live and Let Die was released during the height of the blaxploitation era, and many blaxploitation archetypes and cliché are depicted such as afro hairstyles, derogatory racial epithets ("honky"), black gangsters, and "pimpmobiles."[1] It departs from the former plots of the James Bond films about megalomaniac super-villains, and instead focuses on drug trafficking, depicted primarily in blaxploitation films. Moreover, it is set in African American cultural centres such as Harlem,
Plot
Three British MI6 agents, including one "on loan" to the American government, are killed under mysterious circumstances within 24 hours while monitoring the operations of Dr. Kananga, the dictator of a small
Glastron speedboats in the
The driver's killer leads Bond to Mr. Big, a gangster who runs a chain of Fillet of Soul restaurants throughout the
It transpires that
Tee Hee makes a last attempt on Bond's life and is ejected from their train compartment at high speed. Samedi is seen perched on the front of the speeding train in which Bond and Solitaire are travelling, laughing in his voodoo outfit, before the film ends.
Cast
• Roger Moore as James Bond: A British agent who is sent on a mission to investigate the murder of three fellow agents. This mission leads him to Mr. Big and his drug ring.
• Yaphet Kotto as Dr. Kananga and Mr. Big: A corrupt Caribbean Prime Minister who doubles as a drug lord.
• Bernard Lee as M: Head of the "OO" section of MI6.
• Lois Maxwell as Miss Moneypenny: M's secretary who has feelings for Bond.
• David Hedison as Felix Leiter: Bond's CIA colleague. Leiter is also investigating Mr. Big.
• Jane Seymour as Solitaire:
• Clifton James as Sheriff J.W. Pepper: A local
• Julius Harris as Tee Hee Johnson:
• Geoffrey Holder as Baron Samedi:
• Gloria Hendry as Rosie Carver: A treacherous young CIA agent in San Monique.
• Roy Stewart as Quarrel Jr.: Bond's ally in San Monique and son of Quarrel from Dr. No.
• Madeline Smith as Miss Caruso: An Italian agent whom Bond romances.
• Earl Jolly Brown as Whisper:
Production
While filming Diamonds Are Forever, Live and Let Die was chosen as the next Ian Fleming novel to be adapted because screenwriter Tom Mankiewicz thought it would be daring to use black villains, as the Black Panthers and other racial movements were active at this time. Guy Hamilton was again chosen to direct, and since he was a jazz fan, decided to film in
While searching for locations in
Casting
Broccoli and Saltzman tried to convince Sean Connery to return as 007, but he declined.[2] Many other actors were auditioned or considered for Bond, notably Julian Glover (later the villain in the 1981 Bond film For Your Eyes Only), Jeremy Brett, and frontrunner Michael Billington. Robert Wagner turned down the role because he felt Bond had to be British. Roger Moore, who had been considered by the producers before both Dr. No and On Her Majesty's Secret Service, was ultimately cast.
Mankiewicz had thought of turning Solitaire into a black woman, with Diana Ross as his primary choice. However Broccoli and Saltzman decided to stick to Fleming's caucasian description, and Jane Seymour, who was in the TV series The Onedin Line, was cast for the role. Yaphet Kotto was cast while doing another movie for United Artists, Across
Live and Let Die is the first of two films featuring Louisiana Sheriff J.W. Pepper portrayed by Clifton James, who appeared again in The Man with the Golden Gun. It is also the first of two films featuring David Hedison as Felix Leiter, who reprised the role in Licence to Kill, despite it being a tradition of a different actor for each film Leiter appeared in. Hedison had said "I was sure that would be my first and last", before being cast again.
Madeline Smith, who played the Italian agent Miss Caruso sharing Bond's bed in the film's opening, was recommended for the part by Roger Moore after he had appeared with her on TV. Smith said that
This was the only Bond film until 2006 not to feature 'Q', played at this stage by Desmond Llewellyn. Llewellyn was currently appearing in the TV series Follyfoot, but was written out of three episodes to appear in the film. The producers however had already decided not to include the character, much to Llewellyn's annoyance.
Filming
Production began in 1972, with filming in Pinewood Studios, along with location shooting in
Ross Kananga suggested the jump on crocodiles, and was enlisted by the producers to do the stunt. The scene took five takes to be completed, including one in which the last crocodile snapped at
The boat chase was filmed on the
The chase involving the double-decker bus was filmed with a second-hand
Music
Dejan's
Main article: Live and Let Die (soundtrack)
Taking a temporary hiatus from scoring Bond films, John Barry was replaced by George Martin for the film.
For the theme song, Martin teamed with former-Beatle Paul McCartney, who had previously been considered for Diamonds Are Forever in 1971. This was the first time the pair worked together since
Release and reception
The world premiere of the film was at
The film holds the record for the most viewed broadcast film on television in the
Despite poor reaction to the racial overtones, reviews were mostly positive, with praise to the action scenes, and Rotten Tomatoes gave the film a 63% "fresh" rating, although this covers ratings from various reviewers since 2000, which gives a more modern perception of the film.
Roger Ebert of Chicago Sun-Times stated that
IGN ranked Solitaire as 10th in a Top 10 Bond Babes list. In November 2006, Entertainment Weekly listed it as the third best Bond film.
Year Result Award Recipients
1974 Nominated Academy Award for Best Original Song
Paul & Linda McCartney
1974 Nominated Grammy Award for Best Song Written for a Motion Picture
Paul & Linda McCartney
1975 Won Evening Standard Best Picture
Guy Hamilton
1. IGN: Top 10 Bond Babes
The James Bond novels, penned by Ian Lancaster Fleming, first appeared in 1953, with Casino Royale. Fleming wrote a total of fourteen novels and short stories about his character, until his death in 1964. Fleming was educated at Eton and became a journalist until the war. During WWII Fleming served as the Personal Assistant to the Director of Naval Intelligence, where he gained much of the knowledge he applied to the Bond stories.
Fleming was responsible for devising the plan ‘Operation Ruthless’ where a team of British soldiers would crash a German aircraft in the English Channel, with the intention of killing their German rescuers and stealing their Enigma equipment. The plan was never executed, but demonstrated Fleming’s flair for espionage. Fleming, however, was frustrated at his life behind a desk and was referred to as the 'Chocolate Sailor' as he never left Whitehall.
Fleming stated that he wrote the novels to help him cope with the stress of becoming married at the age of 43, though it is more likely that he was spurred on to publish a novel after his brother, Peter Fleming, published a satirical novel criticising the security services. Most of the novels were conceived from his intelligence experience and travels abroad, with the novels being written at his Jamaican house, Goldeneye, and published annually from 1953 to 1966, two years after he died.
The Bond adventures, written by Fleming, were successful in Britain, but not so much in the larger US market until President Kennedy named From Russia With Love as one of his top-ten bedtime reading books. The novels did not become phenomenally successful until the 1960s after they were adapted to film. Although the Fleming legacy was to become a very lucrative one, Fleming did not, initially, make a great deal of money from the sale of the film rights. He sold the rights to his first novel for a measly $1000 dollars - he would get 100 times more in 1961. Fleming always wanted to have his novels adapted to the screen, to fulfil his urge to become famous, and he was to get his chance shortly after Casino Royale was published. The first appearance of Bond on screen was not in 1962, as played by Sean Connery, but was as a live broadcast of Casino Royale shown as part of CBS's Climax Mystery Theatre season. This series of dramatisations featured Fleming's novel, but was condensed into around fifty minutes.
This first outing for Bond, Jimmy Bond, as he was then, is still available, though is a patched together version. Jimmy Bond is created American in this early version (broadcast on October 21st 1954) and is assisted by Clarence Leiter of the British Secret Service. In the light of the massive hype and expense of the Bond films we are all familiar with, it is fascinating to see such a low budget and strangely acted version of Bond.
The first major appearance of Bond was to come in 1962 when Dr No was released. This, however, was not intended to be the first film of the series. Harry Saltzman owned the options on the remaining Fleming novels, with Casino Royale having already been sold to another producer (Charles Feldman). Time was running out on Saltzman's option and another producer, Albert "Cubby" Broccoli was interested. Broccoli and Saltzman hammered out a partnership deal and Arthur Krim, of United Artists, agreed to back the first film. Broccoli intended for this to be Thunderball, published in the same year, but a legal battle ensued between Ian Fleming, Kevin McClory and Jack Whittington, the latter two claiming that the novel was based on an earlier screen idea developed by the three. As a result of this, with the rights to the novel and film of Thunderball being fought over in court, Dr No became the first ever Bond adventure to reach the cinema.
The early Bond films, produced on an annual basis, were successful in Britain but, like the novels, initially did not really succeed at first in the massive American markets. It was not until the huge success of Goldfinger that the American market opened up for James Bond. The films were generally very well received on both sides of the Atlantic. However, Richard Whitehall, reviewing Dr No for the film journal Films and Filming, branded Dr No as "morally corrupt", heralding an age of "fascist cinema". Goldfinger, however, broke all British box office records and established the series as a long-term cinematic phenomenon.
Saltzman and Broccoli went on to produce a new film on average every two years, until their partnership ended in 1975. Broccoli went on to continue producing the films by himself, while grooming his stepson, Michael Wilson, and daughter, Barbara Broccoli, to take over from him. The films now form the most successful series in cinematic history and never fail to break records on their release. they have been parodied and imitated countless times, yet the original formula seems to get more and more popular each time.
Bond is now a famous household name, with "Bond...James Bond" apparently being one of the most recognisable quotes in the world. The trademark "Vodka Martini...shaken, not stirred", the Aston Martin DB5, beautiful women and high-octane action are all familiar traits today.
Year Title
1953 Casino Royale
1954 Live and Let Die
1955 Moonraker
1956 Diamonds Are Forever
1957 From Russia, with Love
1958 Dr No
1959 Goldfinger
1960 For Your Eyes Only (Collection of Short Stories)
A View to a Kill
For Your Eyes Only
Quantum of Solace
Risico
The Hildebrand Rarity
1961 Thunderball
1962 The Spy Who Loved Me
1963 On Her Majesty's Secret Service
1964 You Only Live Twice
1965 The Man with the Golden Gun
1966 Octopussy & The Living Daylights
Year Title
1962 Dr No
1963 From Russia, with Love
1964 Goldfinger
1965 Thunderball
1967 You Only Live Twice
1969 On Her Majesty's Secret Service
1971 Diamonds Are Forever
1973 Live and Let Die
1974 The Man with the Golden Gun
1977 The Spy Who Loved Me
1979 Moonraker
1981 For Your Eyes Only
1983 Octopussy
1985 A View to a Kill
1987 The Living Daylights
1989 Licence to Kill
1995 Goldeneye
1997 Tomorrow Never Dies
1999 The World is Not Enough
2002 Die Another Day
2006 Casino Royale
2008 Quantum of Solace (unreleased)